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This is the fifth in a series of articles showcasing the wide variety
of notable gays and lesbians that have made contributions throughout
history. In this installment, we'll take a look at film directors...
and there are a lot of them, both in "mainstream" cinema and in the
specialized area of gay- and lesbian-themed cinema. Only a small
portion can be mentioned here; Images in the Dark, An Encyclopedia of
Gay and Lesbian Film and Video (Raymond Murray, TLA Publications,
$19.95 softcover, ISBN 1-880707-01-2), probably has the most complete
list, and is the basis for much of this column.
Friedrich Wilhelm Murnau (1889-1931) was a gay German film director. He
was also an actor, and, during World War I, a pilot. Murnau's
best-known films are Nosferatu (made in Germany) and Sunrise (made in
Hollywood). He was a film pioneer, the first to use a mobile, rather
than static, camera during filming. The most bizarre event in Murnau's
life was his death; he and his chauffeur were killed in a car crash,
and it appears that the deaths occurred while Murnau was performing
fellatio on the driver (the probable cause of the accident).
James Whale (1896-1957) was a gay British-American filmmaker. Whale
started out a a newspaper cartoonist, then "embarked on a stage career,
trying his hand at acting, set designing, and directing. After moving
to Hollywood in 1930, he created "some of the most intelligent and
witty films of the horror genre," as well as adapting a number of stage
and literary works to film. Whale's films include Journey's End (1930),
Frankenstein (1931), Waterloo Bridge (1931), The Impatient Maiden
(1932), The Old Dark House (1932), The Invisible Man (1933), The Kiss
Before the Mirror (1933), By Candlelight (1934), One More River (1934),
The Bride of Frankenstein (1935), Remember Last Night? (1935), Show
Boat (1936), The Great Garrick (1937), The Road Back (1937), Port of
Seven Seas (1938), Sinners in Paradise (1938), Wives Under Suspicion
(1938), The Man in the Iron Mask (1939), Green Hell (1940), and They
Dare Not Love (1941). Whale "lived openly as a homosexual in discreetly
closeted Hollywood" with his lover, producer Da
Sergei Eisenstein (1898-1948) was a gay Russian filmmaker. A famous
pioneer in Russian cinema, his best-known works include Battleship
Potemkin (1925); Alexander Nevsky (1938); and Ivan the Terrible, Parts
1 and 2 (1945 and 1946). Eisenstein also wrote two books on filmmaking,
The Film Sense (1942) and Film Form (1949). "Karlinsky writes that when
he was in Mexico filming Qu Viva Mexico! his homosexuality nearly
caused an international scandal, and he was blackmailed into returning
to the Soviet Union by the authorities, who threatened to expose his
private life."
George Cukor (1899-1983) was an openly gay American director with a
53-film career, including Dinner at Eight, David Copperfield, Camille,
Holiday, Gone with the Wind (until producer David O. Selznick fired him
at Clark Gable's behest...Gable said "I can't go on with this picture.
I won't be directed by a fairy. I have to work with a real man."), The
Philadelphia Story, Gaslight, Adam's Rib, and My Fair Lady.
Luchino Visconti (1906-1976) was a gay Italian filmmaker of
international renown with an aristocratic background. His work features
few gay characters, but has a strong gay esthetic. Visconti's films of
gay interest include The Damned, Death in Venice, and Ludwig.
Anthony Asquith (?-1968) was an famous (and openly gay) British
director, with a career spanning forty years and over thirty films. He
is best remembered for his George Bernard Shaw adaptations, including
Pygmalion (1938). Some of Asquith's other films include The Importance
of Being Earnest (1952), based on gay playwright Oscar Wilde's
(1854-1900) play, and The Yellow Rolls-Royce (1964).
Pier Paolo Pasolini (1922-1975) was an openly gay Italian director,
poet, essayist, screenwriter, teacher, painter, and novelist. His film
work includes Oedipus Rex; the gay-themed Teorema (Theorem); his
"Trilogy of Life," The Decameron (based on Boccaccio's stories), The
Canterbury Tales (based on Chaucer's classic book), and Arabian Nights;
and the disturbing Salo, or the 120 Days of Sodom (based on the Marquis
de Sade's novel, it contained "scenes of graphically cruel sex and
violence").
Franco Zeffirelli (1923-) is a gay Italian director, better known in
Italy for directing plays and operas than film. His best film work
includes filmed operas (La Boheme, I Pagliacci, La Traviata, Cavalleria
Rusticana, and Tosca) and adaptations of Shakespeare (The Taming of the
Shrew, Romeo and Juliet, Otello, and Hamlet).
Sergei Paradjanov (1924-1990) was a gay Russian filmmaker.
Controversial and innovative, "stunningly beautiful and rich in color
and imagery," his films include The Color of Pomegranates and The
Legend of the Suram Fortress. Idealized male beauty was featured in
many of Paradjanov's films. He spent several years in prison during the
1970s for "homosexuality and illegal trafficking in religious icons."
John Schlesinger (1926-) is an openly gay British-American filmmaker.
His best-known work includes the Academy Award-winning (and gay-themed)
Midnight Cowboy and Sunday, Bloody Sunday and the thrillers Marathon
Man and The Falcon and the Snowman. Schlesinger's long-time
relationship with Michael Childers began in 1976.
James Ivory (1928-) is a gay American director who has worked together
with gay Indian-born producer Ismail Merchant (1937-) for over thirty
years...and they have lived together for nearly that long. Merchant
Ivory Productions' best-known films are The Remains of the Day (1994),
adapted from Kazuo Ishiguro's 1989 novel, and three adaptations of gay
British novelist E. M. Forster's (1879-1970) work, A Room with a
View(1986), the gay-themed Maurice (1987), and Howard's End (1992).
James Bridges (1935-1993) was a gay American filmmaker, twice-nominated
for an Academy Award. His best-known films are The Paper Chase, China
Syndrome, and Urban Cowboy.
Paul Bartel (1938-) is a gay American film director; an actor in over
50 films, including Gregg Araki's (see below) The Living End; and a
writer. His films include the bizarre Private Parts (1972) and the
outrageous comedy Eating Raoul (1982), which he also wrote and acted
in.
Colin Higgins (1941-1988) was a gay American filmmaker and
screenwriter. His films include Foul Play (1978), 9 to 5 (1980), and
The Best Little Whorehouse in Texas (1982). He also wrote the
screenplay for Silver Streak (1976).
Wolfgang Petersen (1941-) is a gay German-American director. His films
include Das Boot (which received six Academy Award nominations), the
near-classic fairy tale The NeverEnding Story, the intelligent science
fiction story Enemy Mine, and the suspense thriller In the Line of
Fire.
Derek Jarman (1942-1994) was "one of Great Britain's most acclaimed
directors and the leading gay filmmaker of our time." His death in 1994
after battling AIDS for ten years (during which he continued to create
excellent films) was a loss to the creative community. His gay-themed
work includes Sebastiane ("filled with scintillating images of male
bodies and graphic scenes of sex"), Caravaggio, The Garden, Edward II,
and Wittgenstein. His other work includes Jubilee, The Last of England,
War Requiem (based on gay British composer Sir Benjamin Britten's (see
earlier installment) oratorio and starring Sir Lawrence Olivier), and
Angelic Conversation (based on 14 of possibly-gay British poet William
Shakespeare's (1564-1616) sonnets, reinforcing their probable
homosexual roots). Jarman was also an artist, a writer, a scenery
designer, and a gardener.
Rosa Von Praunheim (1942-) is a gay German film and stage director, as
well as a writer. Born Holger Mischwitzky, this "bad boy of the German
gay scene" took a female name in 1967 when he began directing, in a
reversal of the habit of female writers in centuries past, who often
took male names in order to get their works published. Praunheim has
created over 40 films, almost all controversial, as befits the "senior
member of the Berlin school of underground filmmaking."
Peter Adair (1943?-1996) was an openly gay independent documentary
filmmaker. He was the first to create a feature documentary that
portrayed homosexuals in a positive light--Word is Out (1977). Other
films in Adair's 25-plus year career include Holy Ghost People (1967),
called by lesbian anthropologist Margaret Mead (1901-1978) "one of the
best ethnographic films ever made;" Some of These Stories Are True
(1981); Stopping History (1983); The AIDS Show (1986); and Absolutely
Positive (1990), made after he tested positive for HIV. Adair died of
AIDS at the age of 53.
Arthur J. Bressan, Jr. (1943-1991) was an openly gay independent
filmmaker. After teaching at a Catholic boys's school, Bressan got his
start in film in the male porno industry. Another victim of AIDS (there
is a panel in his memory in the AIDS Quilt), his three gay-themed
feature films are Gay USA (1977), Abuse (which caused a ruckus when it
was released in 1982 for its positive portrayal of man/boy love), and
Buddies (1985).
Eloy de la Iglesia (1945-) is an openly gay Spanish filmmaker, referred
to by many as Spain's Fassbinder (see below). Although risky during the
Franco regime, Iglesia has been outspokenly gay, and his films are very
popular in Spain, although virtually unknown in the United States. His
films have often featured gay characters, and several have homosexual
themes, including Colegas (Pals); El Sacerdote (The Priest), which was
banned by the Catholic Church and heavily censored when initially
released; and his "gay trilogy" of Los Placeres Ocultos (Hidden
Pleasures) (the first gay film produced in Spain), El Diputado (The
Deputy, or Confessions of a Congressman), and Running Against the Wind.
Iglesia says that he talks "about the world of which the majority of
filmmakers do not care to speak, the marginal world...I am the one who
always wants to make the films that are not supposed to be made. I'm
the one interested in the subjects that everyone else has agreed not to
talk about."
Rainer Werner Fassbinder (1946-1982) was an openly gay German director
and screenwriter, with 41 feature films to his credit in an
all-too-short 13-year career. He was known as the genius of the New
German Cinema. Fassbinder's first feature film, Love is Colder than
Death, was booed when it was shown at the Berlin Film Festival in 1969.
His artistic breakthrough came that same year with Katzelmacher, which
won five prizes, while his commercial breakthrough came two years later
with The Merchant of Four Seasons. He achieve international recognition
in 1974 at Cannes with Ali-Fear Eats the Soul. His best-known
gay-themed film is Querelle (1982), based on the gay French writer Jean
Genet's (1910-1986) 1953 homoerotic novel and starring Brad Davis. His
other gay-themed films include Satan's Brew (1976) and Shadows of
Angels (1976). In addition to directing, Fassbinder also worked as an
actor, cinematographer, composer, designer, editor, producer, theatre
manager, and writer. To many, Fassbinder's death of an ove
John Waters (1946-) is a gay American filmmaker and screenwriter. His
films include Mondo Trasho (1970); Multiple Maniacs (1971); Pink
Flamingos (1973); Female Trouble (1975); Desperate Living (1977);
Polyester (1981); Hairspray (1988), Waters' breakthrough hit; Cry-Baby
(1990), starring Johnny Depp and Joe Dallesandro; and Serial Mom
(1994). In a recent review of Pink Flamingos (which has just been
reissued in a 25th anniversary version), Michael Atkinson wrote that
Waters was the "official doyen of American bad taste, our well-beloved,
antiestablishment, smirking wellspring of gay camp..." and that he "has
gotten farther on less talent than nearly any other filmmaker in the
history of cinema." However, Waters' more recent films have begun to
enter the mainstream.
Pedro Almodovar (1949-) is Spain's leading gay filmmaker...and probably
Spain's leading filmmaker, period. Most of his films, while featuring
gay characters, are not gay-themed. Almodovar says "Even though I'm
gay, I don't feel compelled to tell gay stories. I just tell a story
that I'm interested in." His gay-themed films include Pepi, Luci, Bom
(1980), his first feature; Labyrinth of Passion (1982), a comedy
starring his discovery, Antonio Banderas; What Have I Done to Deserve
This? (1985), his first American hit; and Law of Desire (1987), his
most prominent--and sexiest--gay-themed film, which features Antonio
Banderas in a steamy nude scene).
Jaime Chavarri (?-) is a gay Spanish director. His gay-themed films
include A Un Dios Desconocido (To an Unknown God), a complex 1978
memior featuring the verse of gay Spanish poet and political activist
Federico Garcia Lorca (1898-1936), and Las Cosas del Querer (The
Affairs of Love), a 1990 musical drama set in the 1940s. Chavarri's
other films include Las Bicicletas Son Para El Verano (1983), El Rio de
Oro (The Golden River) (1985), and I'm the One You're Looking For
(1988).
Gus Van Sant (1953-) is an openly gay, daring, innovative, and
accomplished American director. His best-known work is his "trilogy of
the streets," the low-budget, gay-themed Mala Noche; Drugstore Cowboy,
starring Matt Dillon; and the fascinating modern gay classic My Own
Private Idaho, starring the late River Phoenix and co-starring Keanu
Reeves.
Monika Treut (1954-) is a lesbian German filmmaker and writer. Her
feature films include Seduction: The Cruel Woman (1985), Virgin Machine
(1988), My Father is Coming (1990), Female Misbehavior (1992), and
Erotique (1996). In college, Treut studied literature; her doctoral
thesis was on the Marquis de Sade and Leopold von Sacher-Masoch, later
published in book form as The Cruel Woman: the Portrayal of Women in de
Sade and Sacher-Masoch.
Marlon Riggs (1957?-1994) was a gay African-American innovative creator
of documentary films. He is best known for the controversial
documentary short Tongues Untied. Harvard-educated, the intellectual
Riggs taught documentary filmmaking at the University of California at
Berkeley. Riggs died of AIDS at the age of 37, before the release of
his final film, Black Is...Black Ain't, which won a trophy at the
Sundance Film Festival.
Rob Epstein (?-) is a gay American documentary filmmaker. His work
includes Out of Order (1982); The Times of Harvey Milk (1985), which
won an Academy Award, a Peabody Award, a New York Film Critics Circle
Award, and three Emmy Awards; Common Threads: Stories From the Quilt
(1989), which won an Academy Award, a Peabody Award, and an Emmy Award,
and which Alan Carter of People Magazine called "As powerful and moving
a documentary as you will ever see;" Where Are We? (Our Trip Through
America) (1992); and The Celluloid Closet (1995)--based on gay writer
Vito Russo's (1946-1990) highly acclaimed book of the same name--which
won a Peabody Award and a Columbia-du Pont Award, and received five
Emmy nominations. The last three of these films were co-directed and
co-produced with gay actor and film Jeffrey Friedman, a 25-year veteran
of the film business. Epstein also has produced and directed several
documentary projects for television, and has been honored by a
Guggenheim Fellowship. Epstein and Friedman are curre
Jaime Humberto Hermosillo (?-) is an openly gay Mexican filmmaker...a
"more tranquil Almodovar" (see above). Hermosillo is quite popular in
Mexico (and almost unknown outside that country), despite the closeted
and "macho" environment. Interestingly, many of his films have been
financed in part by the Mexican government. His best-known gay-themed
film is the comedy of sexual manners Doa Herlinda and Her Son (1985).
Bill Sherwood (?-1990) was a gay American director. He is best known
for his independent production, Parting Glances (1986), a "joyful,
knowing gay love story" which "served as a model for such films as My
Beautiful Laundrette and Longtime Companion." The film is also notable
for then-unknown actor Steve Buscemi's first leading role, as a
musician dying of AIDS (he stole the show); Buscemi has since appeared
in many films (Reservoir Dogs, Fargo, Desparado [opposite Antonio
Banderas], Miller's Crossing [with a gay subplot], and The Hudsucker
Proxy). Sherwood died of AIDS.
Todd Haynes (1961-) is a gay screenwriter and independent filmmaker.
His films tend to be cerebral, with meticulous art direction. Haynes'
two feature films are Poison (1991) and Safe (1995). He is currently
working on Velvet Goldmine, about British glam-rock in the 1970s.
John Greyson (1961-) is an openly gay Canadian director. He has created
over 20 videos and short subjects, mostly on gay themes. Greyson has
also made three features, Urinal (1991), a "documentary-style talk
fest" about homosexual repression; Zero Patience (1993), a musical
satire about "Patient Zero," Gaetan Dugas, the French-Canadian flight
attendant who reportedly brought AIDS to North America; and Lillies
(1996), which won a Genie (the Canadian equivalent of the Oscar) for
Best Motion Picture.
Gregg Araki (1963-) is an openly gay Japanese-Canadian independent
filmmaker. His work includes Three Bewildered People in the Night
(1987), The Living End (1992), Totally F***ed Up (1993), The Doom
Generation (1995), and Nowhere (1997). Except for his first film, he
has written and edited all of his features.
Bruce LaBruce (1969-) is a gay Canadian independent filmmaker. He began
making 8mm short subjects at the age of 18. At 21, he made his first
feature, the gay-themed No Skin Off My Ass (1990), which was seized by
the Morality Squad of Toronto for three violations: "bondage, nudity
with violence, and the sucking of toes." His second feature, Super 8
1/2 (1994), a "takeoff on the Fellini classic, 8 1/2," was also
gay-themed, and included "much graphic sex--yes, cum shots and all;"
LaBruce played the washed-up porn star/filmmaker lead. LaBruce also
co-starred in his latest feature, the romantic comedy Hustler White
(1995), which features real-life porn star Kevin Kramer in a minor
role. In talking about his offbeat unorthodox films, LaBruce says,
"Personally, I'm just not interested in being mundane and boring as
everybody else."
Our Gay and Lesbian Heritage by Bruce Britton - Part 4
Our Gay and Lesbian Heritage by Bruce Britton - Part 6
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